In early 2015, lead singer and songwriter Hannah Miller read a New Scientist article that described how the discovery of a microscopic creature had re-defined the perimeters of life as we know it.
The ‘Halicephalobus Mephisto’ Nematode Worm has none of the requirements of other known life forms - able to survive deep underground, without oxygen or sunlight.
The seed was sown for ‘Preternatural’ - an eclectic 11-track opus for the Natural World, and the strange and beautiful creatures in it.
The band, like the creatures they describe, have always been an evolving phenomenon, and each album has seen a significant leap into new unchartered territory, their unusual music vision prompting comparisons as disparate as "…the Kronos quartet, Roxy Music, Frank Zappa, Kate Bush...echoes of early Pink Floyd, Bowie and Radiohead.. Kraftwerk and Björk" (R2 Magazine/ Reuters).
It is a beautifully orchestrated ecosystem,
experimental in parts but still accessible, fusing rich vocal harmonies,
persuasive melodies, big riffs, detailed arrangements and sharp songcraft to
make a genre-defying album, which explores the moving space between electronic
and acoustic; DIY and big production.
The arrival of newest member Raevennan Husbandes catalysed a rockier mood, her stark and fluid electric guitar playing complementing Miller’s virtuosic cello to forge a muscular, unique sound-blend. Husbandes’ and Miller’s luminous voices deliver characteristic multi-layered harmonies locked in with a towering, thunderous rhythm section.
Incurably ambitious, this is a band that has always put an adventurous approach to Art at the heart of their craft. The front cover best demonstrates Moulettes for what it is: an eclectic, progressive hybrid, a bizarre and bombastic monster.
December 2017 is the concluding chapter of the two-year ‘Preternatural’ tour, and the last chance to see the "breathtaking" live show that has taken the band across Europe from Poland to Malta, and across Canada from Nova Scotia to Victoria Island.